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https://freeaudience.org/new-cover-page daily 0.75 2018-03-26 https://freeaudience.org/archive2 daily 0.75 2018-04-20 https://freeaudience.org/about daily 0.75 2018-09-06 https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1524282305131-A3C4CQMQWSZRF4V0JDJU/hypnotic-spiral-vinyl.gif About https://freeaudience.org/subscribe daily 0.75 2018-05-21 https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1526943796904-3NSGUD6MJU0Q1P8IGD80/tyler-quick-616185-unsplash+copy.png Subscribe https://freeaudience.org/contact daily 0.75 2018-12-16 https://freeaudience.org/weekly-theater-guide-test daily 0.75 2018-07-29 https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1526331128519-030W3FT3CVGLXVQL0CXU/Vietgone.jpg Weekly Theater Guide - Test 1 Great Theater turned into Bad March 16, 2018 Vietgone possesses a kind of conceptual genius that makes you feel that Qui Nguyen has found a more fluid and expressive form of American playwriting. And then he blows all that brilliance with some truly dreadful writing — weak-minded parodies, sitcom tripe, and post-modern juvenilia. Full Review. Info and tickets. https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1526330177424-7RQTPR2WXNDHYBOBYUUM/Between+Us.jpg Weekly Theater Guide - Test 1 The Difficulty of Real Lives March 2, 2018 These days, when complicity has become such a potent, possibly criminal question (in our government, businesses, and private lives), TheatreFirst’s two-program collection of seven one-act monologues, Between Us, presents a group of men and women who got in the way. The problem is that none of the plays on display here. Full review. Info and tickets. https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1526326393989-EBD0M3X970S086HG4PQU/Red+Speedo.jpg Weekly Theater Guide - Test 1 Red Speedo is a Sick Triumph May 9, 2019 The fascinating American playwright Lucas Hnath’s Red Speedo captures a strange quality about ethical thinking -- it helps to not have any. Ethics, that is. It’s an awful proposition, and one we resist throughout the play’s lurid, 80-minute sprint to hell, even as scene after scene unfolds to demonstrate otherwise. In that, Red Speedo is of the moment for our awful times. Full Review. Info and tickets. https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1526328831001-CD7216VLTTPC56MPF4TQ/Skeleton+Crew.jpg Weekly Theater Guide - Test 1 The Skeleton of a Great Drama May 9, 2018 There are scenes in Dominique Morisseau’s Skeleton Crew that belong in a terrific play about Detroit auto workers. Unfortunately, there’s a lack of verve and focus to Morisseau’s vision of American industry. That she ends her play both sentimentally and ironically is an indictment of a play that should have been a direct indictment of a grotesque economic and human failure in Detroit. Full Review. Info and tickets. https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1526330491771-DYR0FGICP6OC3B7BQCA8/Birthday+Party.jpg Weekly Theater Guide - Test 1 Pinter's lost Birthday Party May 9, 2018 Pinter was the revolution that mid-century audiences wanted — and for almost 60 years he, along with Samuel Beckett, has stood for an ongoing theatrical revolt against conventional meaning. ACT's by-the-numbers production of his first hit, The Birthday Party, shows how limited that revolution was. There are moments, but nothing can compensate for Pinter's lack of dramatic and philosophical force. The void is empty. Full review. Info and tickets. https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1526332186525-Q6Q2JGJ7XYS3LVHGCK5K/Bondage.jpg Weekly Theater Guide - Test 1 Bondage is a Shocker May 9, 2018 Part of the pleasure of Star Finch’s gothic shocker Bondage is the way Finch catches the destabilizing force of simply being neither black nor white. As William Carlos Williams memorably summed it up, "the pure products of America go crazy." That's something that you need to see and so all those in the free audience need to go. Full Review. Info and tickets. https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1526333471669-QZ8LTNFU6Q56GWPJ4UX3/Diaspora+2017-2.jpg Weekly Theater Guide - Test 1 2 Sly Epics at CounterPulse May 9, 2018 In many ways Davia Spain's Mother The Verb and Randy Reyes’ Lxs Desaparecidxs are sly and casual inversions of what we’ve come to understand as the epic. There are no superheroes or villains, no cities under threat of alien invasion, no CGI of worlds at war and vast armies. Instead, there’s a simple understanding that to experience the epic, we have to identify with its opposite -- the lost traveller (Odysseus), the scared child (Huckleberry Finn), the harried bureaucrat (Joseph K.), anyone who feels the vastness of our everyday world and is at its mercy. Full Review. Info and tickets https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1526334248188-LMJQ5GCKSK6EOY7A8FUS/Christmas+Shows+Keith+Hennessy+Sink.jpg Weekly Theater Guide - Test 1 Keith Hennessy's Sink has Christmas Spirit May 9, 2018 One of the main reasons A Christmas Carol and It’s a Wonderful Life are such great works of art is that their heroes are shattered, and they must put themselves back together in the coldest time of the year. As the days fall shorter in 2017, these classics are a sharp reminder that winter is brutal when your mind is ripped to pieces. And so we should be thankful for Keith Hennessy’s dance-theater-circus shocker, Sink. It's full of Christmas spirit — not just a sense of redemption and hope for the future, but also a rage at what the world and we have become. Full Review. Info and tickets. https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1526335215117-3Y5Q7YI25XCSSD54TOPN/Black+Rider.jpg Weekly Theater Guide - Test 1 The Black Rider is 100% pure American May 9, 2018 William Burroughs saw the sinister logic of all fables and myths of reckoning -- as children of the fall, Adam and Eve’s as well as Lucifer’s, we’re always looking for everything to go very, very wrong. So it’s appropriate that disaster is the governing spirit for Burroughs, Tom Waits, and Robert Wilson in their neo-Brechtian musical, The Black Rider: The Casting of the Magic Bullets, which gets an acid-soaked reworking under Mark Jackson’s inspired direction for the Shotgun Players. Full Review. Tickets and Info. https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1526877921631-KF23WGU3T68RR78KWWCA/The+Roayle.jpg Weekly Theater Guide - Test 1 The Royale is bad Sentiment May 9, 2018 In our racially damaged culture, it doesn't feel right to criticize Marco Ramirez’s The Royale, especially in light of the Aurora Theatre’s well-acted, designed, and directed Bay Area premiere. He clearly sees a hero in the first African-American heavy weight champion, Jack Johnson, but the desire to honor is a dangerous and conservative aesthetic. It panders and plays to the romantic and sentimental in all of us. Ramirez is so interested in Johnson's perfection that he defangs a man of great complexity and unbelievable charisma. Not the right idea. Full Review. Tickets and info. https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1526878820900-LL1ZR65LJU9HO5A5C5ID/Circus+Veritas.jpg Weekly Theater Guide - Test 1 Circus Veritas is stylish Fun May 9, 2018 Under Jaron Hollander's inventive direction, the Kinetic Art Theater's productions are more about a state of mind than mind-boggling stunts. There are many feats, some of them verging on the spectacular, but they occur in the service of conveying the aspirations and failures of people. This is a circus with such gentle intentions that it easily rises to the level of art Full Review. Tickets and Info. https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1526879043782-03S3IT11QCM5ACTI6TPC/Animal+Farm.jpg Weekly Theater Guide - Test 1 Farm is not quite Orwell's Animal Farm May 9, 2018 The energy is astounding in TheaterFirst's adaption of George Orwell's Animal Farm, The Farm. But scene after scene of frenzied activity diminishes its impact. You start to feel as if you can anticipate not so much the story, but the method -- pounding drums, gospel-tinged oohs, and group stomping. It’s not a particularly rich artistic palette and seems more focused on gaining audience approval than in investigating a political condition. Full Review. Tickets and Info. https://freeaudience.org/archive daily 0.75 2018-05-08 https://freeaudience.org/interviews daily 0.75 2018-09-07 https://freeaudience.org/issues daily 0.75 2018-09-07 https://freeaudience.org/capsules-test daily 0.75 2018-08-21 https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1534817832359-D5LMBDDYT568HVX1CXQB/4.48Psychosis2.jpg Weekly Theater Guide - Test 2 - 4.48 PSYCHOSIS AT ANTON’S WELL August 12, 2018 There are two important points to make about Anton’s Well’s production of Sarah Kane’s 4.48 Psychosis. The first is that it’s a pleasure to see a young theater company stake out an aesthetic philosophy, to essentially say: This is what we do and this is how we’re going to do it. In the bland world of Bay Area Theater, that’s a cause for celebration. The second point is a bit more damning. Though you can understand why Artistic Director and Founder Robert Estes would be attracted to the late, avant-garde shock master Sarah Kane, the best you can say of her work is that it doesn’t require much attention. Reaction, maybe, but for a writer so interested in brutality, it’s amazing how little Kane’s plays demand that we think, engage, and concentrate. Info and tickets. https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1534810226086-O9T2L7OYCJCP5ZBUPT7M/Vietgone.jpg Weekly Theater Guide - Test 2 - Vietgone at ACT March 16, 2018 Vietgone possesses a kind of conceptual genius that makes you feel that Qui Nguyen has found a more fluid and expressive form of American playwriting. And then he blows all that brilliance with some truly dreadful writing — weak-minded parodies, sitcom tripe, and post-modern juvenilia. Full Review. Info and tickets. https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1534810436025-OA0IPIF5GWU7XNJH6Q8E/Between+Us.jpg Weekly Theater Guide - Test 2 - Between Us at TheatreFirst The Difficulty of Real Lives March 2, 2018 These days, when complicity has become such a potent, possibly criminal question (in our government, businesses, and private lives), TheatreFirst’s two-program collection of seven one-act monologues, Between Us, presents a group of men and women who got in the way. The problem is that none of the plays on display here. Full review. Info and tickets. https://images.squarespace-cdn.com/content/v1/5ab80099a9e02868fa130ebf/1534810570274-6ULPM3RPOEY5VHP1AJJ7/Red+Speedo.jpg Weekly Theater Guide - Test 2 - Red Speedo at Center Rep May 9, 2019 The fascinating American playwright Lucas Hnath’s Red Speedo captures a strange quality about ethical thinking -- it helps to not have any. Ethics, that is. It’s an awful proposition, and one we resist throughout the play’s lurid, 80-minute sprint to hell, even as scene after scene unfolds to demonstrate otherwise. In that, Red Speedo is of the moment for our awful times. Full Review. Info and tickets. https://freeaudience.org/podcast-interviews daily 0.75 2018-05-24 https://freeaudience.org/weekly-theater-guide daily 0.75 2019-04-12