What shines is how this flawed, four-hour journey into political mayhem hints at and kind of achieves some of the nervy, assaultive flair of continental auteurs such as Thomas Ostermeier or Ivo van Hove. I can’t remember a production with so much go-for-broke acting on the Cal Shakes stage, or really any of the major Bay Area stages.
Read MoreIn these end days of the year and perhaps the country, we might ask, just to while away the time, what we want from our American plays.
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