There are scenes in Dominique Morisseau’s Skeleton Crew that belong in a terrific play about Detroit auto workers.
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In these end days of the year and perhaps the country, we might ask, just to while away the time, what we want from our American plays.
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In re-imagining the romance of Thomas Jefferson and Sally Hemings, Thomas Bradshaw creates thrilling new myths that are sure to be as controversial as the old ones.
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