'A Doll's House Part 2' is too much like Tom Stoppard
Lucas Hnath turns Ibsen’s Nora into an anti-marriage feminist, whereas what disillusions Nora is Torvald’s lack of commitment to the most basic tenant of any marriage—the vow to be there for the worst. This gives Ibsen’s A Doll’s House a nasty kick. With only a vague notion of feminist zeal—as if Hnath hired a steering committee to make sure he was up to date on the latest trends—his drama never gains any traction, a pale imitation of the still more shocking original.
‘A Doll’s House Part 2’ runs through October 21 at the Roda Theater in Berkeley. For tickets and information click here. For the full review click here.